Thicket

Thicket (studio image), 2023, 13’ x 10’, handout muslin, gesso, graphite, aluminum armature. Photo credit: Dan Meyers

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Thicket (studio image and detail), 2023, 13’ x 10’, handout muslin, gesso, graphite, aluminum armature. Photo credit: Dan Meyers

Thicket

Thicket, 2023, handcut muslin, gesso, graphite, aluminum armature, 13’ x 10’ , site-specific installation at Penn State University, HUB/Robeson Student Center.

photo credit: Dan Meyers, armature design: Phil Campbell

In a World

In a World, 2022, handcut muslin, gesso, steel armature, 56" x 56"

photo credit: Dan Meyers

In a World, 2022, handcut muslin, gesso, steel armature, 56" x 56"

photo credit: Dan Meyers

In a World, 2022, detail

photo credit: Dan Meyers

Threadlines So Bittersweet

Threadlines So Bittersweet, installation view

Sabbatical Exhibition, Decker Gallery, MICA, 2022, photo credit: Dan Meyers

Threadlines So Bittersweet, 2022, mixed materials, 12' x 10'

made in collaboration with the Textiellab, Tilburg, NL, photo credit: Dan Meyers

Samples of passementerie

produced in collaboration with the Textiellab, Tilburg, NL, photo credit: Dan Meyers

Blooms to Dust

Blooms to Dust

2019 45” x 47” each, hand and laser cut digital print. Photo credit: Dan Meyers

Blooms to Dust

2019 45” x 47” each, hand and laser cut digital print. Photo credit: Dan Meyers

Blooms to Dust (detail)

2019 45” x 47” each, hand and laser cut digital print. Photo credit: Dan Meyers

Laced Along Light

Laced Along Light

2019 84”x 96”, laser cut paper, paint, boutonniere pins. Photo credit: Dan Meyers

Laced Along Light (detail)

2019 84”x 96”, laser cut paper, paint, boutonniere pins. Photo credit: Dan Meyers

Lace Along Light (Detail)

2019 84”x 96”, laser cut paper, paint, boutonniere pins. Photo credit: Dan Meyers

Laced Along Light (Detail)

2019 84”x 96”, laser cut paper, paint, boutonniere pins. Photo credit: Dan Meyers

Overgrow

Overgrow

2017, 54” x 45”, printed and laser cut wool and industrial felt Photo credit: Dan Meyers

Overgrow (detail)

2017, 54” x 45”, detail, printed and laser cut wool and industrial felt Photo credit: Dan Meyers

Only Their Silhouettes

Only their Silhouettes

2015, 96"x96"x1.5", handcut muslin, gesso, graphite, aluminum armature. Photo credit: Dan Meyers

Sabbatical Exhibition

2015, Maryland Institute College of Art. Photo credit: Dan Meyers

Only their Silhouettes and Silhouette Dusting

2015, Photo credit: Dan Meyers

Silhouette Dusting (detail)

2015, 120"x24", charcoal. Photo credit: Dan Meyers

Lacing Space

Lacing Space

2012, from the exhibition, Lace in Translation, at the Birmingham Museum and Art Gallery, Birmingham, UK, 15'x15', handcut muslin, gesso, graphite, aluminum armature. Photo credit: Sophie Mutevelian.

Lacing Space (detail)

2012, from the exhibition, Lace in Translation, at the Birmingham Museum and Art Gallery, Birmingham, UK, 15'x15', handcut muslin, gesso, graphite, aluminum armature. Photo credit: Sophie Mutevelian.

Lacing Space (Detail)

2012, from the exhibition, Lace in Translation, at the Birmingham Museum and Art Gallery, Birmingham, UK, 15'x15', handcut muslin, gesso, graphite, aluminum armature. Photo credit: Sophie Mutevelian.

Lace Meander

Lace Meander

2007, 15’x15’x4”, handcut muslin, gesso, graphite, steel armature, from the exhibition, Radical Lace and Subversive Knitting, Collection: Museum of Arts and Design. Photo Credit: Dan Meyers

Lace Meander

(Detail) 2007, 15’x15’x4”, handcut muslin, gesso, graphite, steel armature. From the Exhibition, Radical Lace and Subversive Knitting. Collection: Museum of Arts and Design, NY. Photo credit: Dan Meyers

Silhouettes Twining

Silhouettes Twining

2017, 96”x54”x12”, hand-cut muslin, gesso, graphite, wood and steel armature. Photo credit: Dan Meyers

Silhouettes Twining

2017, 96”x54”x12”, hand-cut muslin, gesso, graphite, wood and steel armature. Photo credit: Dan Meyers

Silhouettes Twining

2017, 96”x54”x12”, hand-cut muslin, gesso, graphite, wood and steel armature. Photo credit: Dan Meyers

Dome

Dome

2011, 8'x8'x12", handcut muslin, gesso, graphite, aluminum armature, steel cable. Photo credit: Dan Meyers.

Dome (detail)

2011, 8'x8'x12", handcut muslin, gesso, graphite, aluminum armature, steel cable. Photo credit: Dan Meyers.

Chambers

Chambers

2002-2005, 9'x4'x4', handcut muslin, gesso, walnut ink. steel armature. Photo credit: Dan Meyers.

Yardage for Chambers

2002-2005, 47”x 21’ each. Handcut muslin, gesso, walnut ink, steel armature. Photo credit: Dan Meyers

Chambers

2002-2005, 122"'x18"'x4', from the exhibition, Filagree Spaces, Baltimore Museum of Art, handcut muslin, gesso, walnut ink. steel armature. Photo credit: Dan Meyers.

Chambers (detail)

2002-2005, 9'x4'x4', handcut muslin, gesso, walnut ink. steel armature. Photo credit: Dan Meyers.

Along Lace Lines

Along Lace Lines

2005, from the exhibition, Filigree Spaces, Baltimore Museum of Art. 40'x17'x4", handcut muslin, gesso, graphite, steel armatures. Photo credit: Dan Meyers.

Along Lace Lines

2005, from the exhibition, Filigree Spaces, Baltimore Museum of Art. 40'x17'x4", handcut muslin, gesso, graphite, steel armatures. Photo credit: Dan Meyers.

Along Lace Lines

2005, from the exhibition, Filigree Spaces, Baltimore Museum of Art. 40'x17'x4", handcut muslin, gesso, graphite, steel armatures. Photo credit: Dan Meyers.

In Air and Screen

Installation view, University of Creative Arts, Farnham, UK, 2014. Photo: Piper Shepard

Screen

2001, 9'x9'x4", handcut muslin, gesso, graphite, steel armature. Photo credit: Dan Meyers.

Screen

2001, 9'x9'x4", handcut muslin, gesso, graphite, steel armature. Photo credit: Dan Meyers.

Screen (detail)

2001, 9'x9'x4", handcut muslin, gesso, graphite, steel armature. Photo credit: Dan Meyers.

Eon

Eon

2008, Delaware Center for Contemporary Arts. Works from right to left: Sieve, Daisy Runners, Granulated Diamond . Photo credit: Carson Zullinger.

Eon

2008, Delaware Center for Contemporary Arts. Works from right to left: Sieve, Daisy Runners, Granulated Diamond . Photo credit: Carson Zullinger.

Eon

2008, Delaware Center for Contemporary Arts. Works from right to left: Sieve, Daisy Runners, Granulated Diamond . Photo credit: Carson Zullinger.

Filigree

Filigree

2008, 36”x96”, handcut muslin, gesso, graphite, steel armature. Photo Credit: Dan Meyers

Radials

Radials #1, #2, #3

2014, 54x54" each. Digitally printed and handcut cotton, aluminum armatures. Photo: Dan Meyers

Radial #1, #2, and #3

2014, 54x54" each. Digitally printed and handcut cotton, aluminum armatures. Photo: Piper Shepard

Radial #1

2014, 54x54", Digitally printed and handcut cotton. Photo: Piper Shepard

Iris

Iris 3:1

2013, 25"x25"x1.5", digitally printed cotton, corsage pins on drywall

Daisy Wave and Pattern Pinning

Daisy Wave

2010, from the exhibition, Adorrnamental, Goucher College, at Towson, MD, 8'x8'x1.5", digitally printed cotton, corsage and boutonnière pins. Photo credit: Dan Meyers.

Daisy Wave (Detail)

2010, from the exhibition, Adorrnamental, Goucher College, at Towson, MD, 8'x8'x1.5", digitally printed cotton, corsage and boutonnière pins. Photo credit: Dan Meyers.

Daisy Wave (Detail)

2010, from the exhibition, Adornamental, Goucher College, at Towson, MD, 8'x8'x1.5", digitally printed cotton, corsage and boutonnière pins. Photo credit: Dan Meyers.

Pattern Pinning

2010, from the exhibition, Exuberant Pattern, Towson University, MD 8'x8'x1.5", digitally printed cotton, corsage and boutonnière pins. Photo credit: Dan Meyers.

Patter Pinning (detail)

2010, from the exhibition, Adorrnamental, Goucher College, at Towson, MD, 8'x8'x1.5", digitally printed cotton, corsage and boutonnière pins. Photo credit: Dan Meyers.